On Being

RASK1128.jpg

Words and Photography by Jonas Rask

This essay isn’t easy for me. Loss and sorrow never is. 

I deal with life and death in the healthcare system every day, but that’s in a professional setting. That’s when I’m prepared and at guard. I put on the semi-permeable emotional shield, that protects my inner fragility. These things hurt. Every goddamn time. Even for a doctor like myself, who is confronted with it on a daily basis, they hurt like hell. Some more than others, but they do hurt! 

Steve Shipman's passing after a longtime fight with cancer is obviously something that touches us here at KAGE. I didn’t know Steve personally. I loved his photography, I read his blog, but I never reached out on a personal level. But in the context of things, that doesn’t really matter, 'cause the loss is a great one. He was an inspirator par excellence, and he touched many people through his art, including myself. 

We talked about the theme of this issue and the title that came up was “On Being Here - For Steve” - I gave some good thought into what I wanted to do photographically for this issue, and I decided on a portrait series shot in 6x6 on analogue medium format just like Steve did with his portraiture. Unfortunately the 7 portraits I had done got lost during a bad development session yesterday. So the portraits went down the drain...  

DSCF0702.jpg

Having to rethink the entire thing with less than 24 hours until deadline, is one of those situations that you really don’t want to find yourself in. Nonetheless that is what happened. 

I took the liberty to do a complete shift in expression. Instead of me portraying strangers with no emotional affiliation to my life, or Steve's for that matter, I decided on sharing some shots of the one thing that I know mattered most to him:

Family.

I cannot speak on behalf of Steve, but I can speak for me when I say that family is everything. They bring me all the emotions that I can experience as a human being. The entire spectrum. 

When the feeling of loss and sadness takes a toll on my mind, the feelings of hope, innocence and happiness always prevail when I see my kids at play and look into the eyes of my wife. 

This is what “being here” is all about for me. Being here, for Steve, everyday enjoying life with those around me that matters the most. 
Here’s to you and your loved ones Steve.

7x024

No Such ThingDerek Clark | X100F, 23mm f2. 1/250 sec at f7.1, ISO 3200

No Such Thing
Derek Clark | X100F, 23mm f2. 1/250 sec at f7.1, ISO 3200

Driftwood, Bribie Island
Robert Catto | X-H1, 35mm f/1.4. 1/8000 at f/1.4, ISO 200.

Broken Fire
Jonas Rask | X100F, f/4, 1/125, ISO 5000.

SuzanneVincent Baldensperger | X-Pro2. | 35mm 1/125 at f/1.4, ISO 800.

Suzanne
Vincent Baldensperger | X-Pro2. | 35mm 1/125 at f/1.4, ISO 800.

BudsPatrick La Roque | X-PRO2,  1/11000 at f/1.8, ISO 200.

Buds
Patrick La Roque | X-PRO2,  1/11000 at f/1.8, ISO 200.

National Portrait GalleryKevin Mullins |GFX-50S with GF45mm F2.8 Lens 1/200 @ ISO 125 F2.8

National Portrait Gallery
Kevin Mullins |GFX-50S with GF45mm F2.8 Lens 1/200 @ ISO 125 F2.8

BrusselsBert Stephani | GFX 50S, GF110mm f/2,  1/250 @ f/2.8, ISO 200

Brussels
Bert Stephani | GFX 50S, GF110mm f/2,  1/250 @ f/2.8, ISO 200

Live In The Moment

017_CLARK_Every_Day_Life.jpg

PHOTOGRAPHY & TEXT BY DEREK CLARK

I’m a housefly called God and I don’t give a fuck...
...I’m the atomizer
I’m the vaporizer
I turn everything to crud
I like it here in your flesh and blood
I’m the elevator man don’t you see?
— Nick Cave

Live in the now. Live in the moment. That's what I'm constantly telling myself these days. But that's not always easy when you have a cloud hanging over the future as you know it. But I'm trying hard.

We tend to blame the past and put too much expectation on the future. But the past is gone and can’t be changed, and the future is uncertain and might not even exist for some of us. The present is a gift that should not be squandered. It might even be possible that the present is as good as it will ever be.

My kids are ten and twelve and in a few years they will fly the nest and start their own family. We will see them less and less as they move forward in their lives. I'm conscious that this is just a stage in my life and it's by no means a long-term thing. I can keep thinking about the good and the bad things that lie ahead, or I can open my eyes and see everything that is perfect at this moment in time.

Beautiful Chaos

By Bert Stephani

As soon as we agreed to take "everyday life" as our theme for this issue, my mind started spinning with ideas and concepts. None of them worked, there was always something missing. And then it hit me: everyday life doesn't thrive within the confines of a concept. So I just let it rip. 

Since I discovered mirrorless cameras, I've pretty much always carried one with me. And lately I started wondering why I used to make tons of those real life intimate images and now I hardly ever make any. Are the kids too old for this now? Aren't their enough interesting things happening in my life? Or even worse ... did I loose my mojo? Although these reason may carry some validity, it's not that. You see, I was stilling carrying a camera everywhere, I just stopped using it to photograph every day life.

I revisited my archive from a couple of years ago to investigate how I made those great family pictures in the past. I definitely had more winners back then, but only because I took way more pictures. Quality should always be the goal for a photographer but sometimes quantity helps to achieve quality. It's rare when all the stars align in such unposed pictures: the perfect moment, great light, a good background, ... And when it happens, it only lasts for a split second. 

The say: "the best camera is the one you have with you". But that's not true ...

THE BEST CAMERA IS THE ONE YOU HAVE IN YOUR HANDS
(with a full battery, an empty card, without lens cap)

12 Hours

kevin-mullins-12.jpg

Photography & Text by Kevin Mullins:  Fujifilm X100F

Monotony has nothing to do with a place; monotony, either in its sensation or its infliction, is simply the quality of a person. There are no dreary sights; there are only dreary sight seers.
— G.K. Chesterton, Alarms and Discursions

In a world of seeming monotony, there is I suppose there is a story in everything.

This month, we decided to document our everyday life and I immediately knew that it would be kind of dull.  But also, perhaps, a bit cathartic.

You see, even though I believe I have one of the best jobs, I still have a daily grind. 

I have the same issues and worries today as I did five years ago and I still feel like I'm walking through treacle often.

In the end, it turned out to be around 12 hours to encompass this.

I wanted to give a viewpoint as to what I see.  Every day. 

Not a romanticized version of anything, but honest warts and all series of images.

These images are not pretty, and can't really be considered much more than snapshots, but they are true to the voyeuristic principles of photojournalism.  What was in front of me, I photographed without adornment.

Nothing is moved, nothing is cleaned and nothing is edited.

This is my daily life.

I'm very privileged to live in a beautiful market town, and once my day is done I get to walk through a gorgeous Cotswolds scene to our beautiful, but small and cramped, 400-year-old cottage.

I still need to change the water in my car, and I still find my daughters dolls terrifying.  

But I'm grateful for the monotony I have to endure if in fact, endure is the right verb to use.  

05.05 retrospect

RASK1379.jpg

Photography and words by Jonas Rask

Ever since I started shooting Fujifilm cameras back in 2011, I started carrying my camera with me everywhere I go. 
The store, concerts, recitals, family gatherings, the couch. You get the point. Everywhere. 

Whenever I give lectures on photography, it’s always my key point. - Always wear a camera. You never know what situations will present it self. 
This has a very desirable side effect. Most of my images are images of my everyday life. Life as it happens around me, in front of my lens. 

Maybe not exciting in present tense, but when viewed in retrospect, it becomes what photography is destined to be. Preservance of memories. Those fleeing moments that you want to hang on to forever. 

I dug into my library. 
I found one monochrome
I found one colour

6 years. 12 images. 1 date.

This is my everyday life. On May 5th. The past 6 years.

 

13

14

15

16

17

18

In seven days

By Patrick La Roque

On day one, it was my birthday.

I ate popcorn at the movies with Jacob
then Szechuan back home,
take-out—but good take-out.
My daughter baked a lovely cake too.

All week I dreamt odd dreams
a dying fish, a sacred mountain
a film actress, from old teenage galaxies;
long gone.
I gave a talk at a camera club;
tried my new hammock;
started a new book;
drank tea.

On Saturday I mowed the lawn
for the first time this year.
On Sunday we had barbecue
for the first time this year.

And our world turned
a fresh, cleansing green
shades of a hushed revolution
in seven days.

Waypoints

Waypoints

Surry Hills, my suburb in Sydney, is a bit different to everywhere I've lived before.

The history of this area is much more visible, in the buildings and streets that surround me every day; and being so close to the centre of Sydney means I spend much more of my time walking from place to place, spotting little details that haven't changed in a hundred years or more.

So my mental map of this city, built up over the last five years of living here, is based on these markers, these waypoints - the old church, the loading dock, the grocer - that tell me how far it is home, where to turn, which block this is…

7x023

Bricked InDerek Clark | X-Pro2, 35mm f1.4. 1/1600 sec at f1.4, ISO 200

Bricked In
Derek Clark | X-Pro2, 35mm f1.4. 1/1600 sec at f1.4, ISO 200

Cockatoo Island
Robert Catto | X-H1, 18mm f/2. 1/60 at f/8, ISO 3200.

Just us, Sis
Jonas Rask | X-Pro2, XF50mm, f/8, 1/400, ISO 200.

LilithVincent Baldensperger | X-Pro2. | 56mm 1/125 at f/1.4, ISO 100.

Lilith
Vincent Baldensperger | X-Pro2. | 56mm 1/125 at f/1.4, ISO 100.

BudsPatrick La Roque | GFX 50S,  1/1250 at f/2, ISO 100.

Buds
Patrick La Roque | GFX 50S,  1/1250 at f/2, ISO 100.

EnduranceKevin Mullins | X-T2 with XF16-55mm Lens at 55mm 1/550 @ ISO 200 F2.8

Endurance
Kevin Mullins | X-T2 with XF16-55mm Lens at 55mm 1/550 @ ISO 200 F2.8

JulietteBert Stephani | GFX 50S, vintage Minolta Rokkor 58mm f/1.4 with Kipon adapter,  1/500 @ f/2, ISO 100

Juliette
Bert Stephani | GFX 50S, vintage Minolta Rokkor 58mm f/1.4 with Kipon adapter,  1/500 @ f/2, ISO 100

L'ÂME GRISE

BY VINCENT BALDENSPERGER

Maître de thé et artiste sensible aux multiples talents, Rizü Takahashi donne vie à la matière. Bercé depuis l'enfance par l'essence du wabi-sabi, il quitte un beau jour et par amour sa montagne de Mizunami et s’installe dans un petit village au cœur du sud-ouest de la France. Atelier, pavillon de thé et four traditionnel anagama, c’est un voyage au levant, une rencontre rare et inspirante, la découverte de l’Âme grise de la céramique japonaise…